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All Events

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Evansville Philharmonic Classics Finale

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Brian Patafie: Funny as Puck Tour

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Prior to becoming one of North Americas most sought after comedians Brian spent 44 years working in the hockey industry a majority of those years in the professional ranks including the NHL and in Germany's DEL2. Brian was previously the Athletic trainer for the Evansville Iceman.
During Brian's hockey career he's authored two books having one of them Published in 2008 "Ice It Down" with his second book "No Days Off" slated to release later in mid 2024. All the while Brian has had this ability to make people laugh appearing as the emcee at sports banquets, roasts and celebrity dinners during his off season.
In the summer of 2021 Brian started his comedy career with a condensed schedule of eighteen shows while he worked with writers over the next seven months and put together a set list for The No Days Off Tour. Brian got to debut part of that set for famed Las Vegas based comedian Steve McInelly at his Las Vegas Smokin Comedy Showcase in the world famous Pawn Stars Complex.

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Evansville Philharmonic Youth Orchestra Spring Concert

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Little Feat: Cant Be Satisfied Tour With Special Guest Marc Broussard

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The members of Little Feat 2021 are: Bill Payne, Keyboards and Vocals; Sam Clayton, Percussion and Vocals; Fred Tackett, Guitars and Vocals, Kenny Gradney, Bass; Scott Sharrard, Guitars and Vocals; and Tony Leone, drums. Scott joined in 2019, Tony in 2020. Lots more on them later, but for now….
Little Feat is very possibly the last-man-standing example of what used to be the norm in American music, a fusion of a broad span of styles and genres into something utterly distinctive. They combined earthy, organic material with first-rate musicianship in a combination that transcends boundaries. Feat took California rock, funk, folk, jazz, country, rockabilly, and New Orleans swamp boogie and more, stirred it into a rich gumbo, and has been leading people in joyful dance ever since.
It all began in 1969 when Frank Zappa was smart enough to fire Lowell George from the Mothers of Invention and tell him to go start a band of his own. The late Paul Barrere, Feat’s long-time guitarist, wrote a few years back of how Lowell “came to the front door of the Laurel Canyon house I was livin’ in, with that beautiful white ‘p’ bass in hand, and asked if I wanted to try out as bass player for his new band. As most who know the story’s end can tell you, as a bassist I make an excellent guitarist…”
Actually, there were quite a number of bass players that first year—that seat took a while to fill. George first settled on keyboard wizard Bill Payne, then added drummer Richie Hayward and bassist Roy Estrada (also a Zappa vet). They were quickly signed by Warner Bros. and began working on the first of twelve albums with that venerable company.
The name was part of the legend. A member of the Mothers happened to mention Lowell’s small feet to him “with an expletive,” said Paul Barrere. “Lowell deleted the expletive, and the name was born with Feat instead of Feet, just like the Beatles. Neat, huh?”
The first album, Little Feat, featured the instant-classic tune “Willin’,” and the follow-up Sailin’ Shoesadded “Easy to Slip,” “Trouble,” “Tripe Face Boogie,” “Cold Cold Cold” and the title track to their repertoire, as well as a new version of “Willin’” that took it from pure Lowell to a fully-developed band tune. Estrada departed, and the band signed up (on guitar!) Paul Barrere, Kenny Gradney (bass), and Sam Clayton (percussion), and the latter remain rock-solid members of Little Feat’s rhythm section.
1973’s Dixie Chickengave them the title track and “Fat Man in the Bathtub,” as good a blues as any rock band has ever written. The hits kept coming: the title track from Feats Don’t Fail Me Now(1974), which also gave us “Rock and Roll Doctor,” “Spanish Moon,” and “Oh, Atlanta,” another Southern-based winner (pretty good for a bunch of guys from L.A.!). 1975 saw The Last Record Albumand “All That You Dream.” In 1977, Time Loves a Herodelivered the classic title song, and their career to that point was summed up with the live Waiting for Columbus, truly one of the best live albums rock has ever heard.
Success is hard. It cost Feat their founder, Lowell George, who in 1979 took a break from working on Down on the Farmto do some solo dates and was struck down by a heart attack. And it cost the band, temporarily, their joy; shortly after, they disbanded.
In 1986, Barrere and Payne met up in a chance jam session and found that they could still find that inspiration. What they had written in ”Hangin’ On To The Good Times Here“— ”…although we went our own ways, we couldn’t escape from where we came, so we find ourselves back at the table again, telling stories of survivors and friends”—was of course true, as with any righteous song. In 1988 they returned to the road, where they’ve been ever since (excepting the pandemic), joined by Craig Fuller on vocals and Fred Tackett on guitar. Let It Rollre-introduced them to the world and was followed by Representing the Mamboand then Shake Me Up. Craig left and Shaun Murphy joined in 1993; early in 2009 she departed the band.
Live from Neon Park—the name choice was a tribute to the album cover artist most often associated with Feat— was a two-CD set taken from shows at legendary venues like San Francisco’s Fillmore Auditorium and Portland (Oregon)’s Roseland Ballroom. The studio albums Under The Radarand Chinese Work Songsadded new favorite songs, especially “Calling The Children Home” and “Just Another Sunday,” along with creative covers of Dylan, The Band, and Phish songs.
In the early part of the new millennium, Feat started their own Hot Tomato Records and began to share their rich archives with their fans, producing the double CD collections of rarities Raw Tomatosand Ripe Tomatosfrom both fan and band tapes. 2002 also yielded Live From the Ram’s Head, a two-CD acoustic show, and in ’03 came Down Upon the Suwannee, a live show recorded on the banks of the river at the Magnolia Festival in northern Florida. Hot Tomato also gave the musicians the freedom to deliver solo work, as well, first with Fred Tackett’s In A Town Like This, and then Bill Payne’s Cielo Norte, an intimate, lyrical marriage of keyboards.
Their studio album from 2003 was Kickin’ It At The Barn, produced by Paul Barrere, Bill Payne, and Fred Tackett. It’s named after the place it was recorded, Tackett’s barn-cum-studio in Topanga Canyon, which lent an invaluable ambience to the undertaking. In his liner notes, faithful Feat member Paul Barrere wrote, ”If music is a conversation between the players, then we are talking like never before…this has been truly one of the most memorable recording projects we’ve done. We started with an idea to write songs on acoustic guitar and piano, like the old days before computers and samples, and then let the band interpret the music.“
Little Feat’s rich legacy was acknowledged at the 25thanniversary of the monumental live album Waiting for Columbuswhen Rhino Records put out a special two CD edition of the original concert, plus outtakes, along with Hotcakes and Outtakes: 30 Years of Little Feat, a four-CD, 83 track boxed set featuring hits from all of Feat’s albums as well as alternate takes and rarities from a rich past, which has included playing with everybody from Bob Dylan to Beck, Willie Nelson to Bonnie Raitt, Robert Plant, John Lee Hooker, and…you name it.
Join the Band, in many ways a summing up of all that’s preceded it, came in 2009, with re-recordings of their classic songs bringing together a vast slew of musical friends on vocals backed by Feat—Dave Matthews on “Fat Man,” Jimmy Buffett on “Champion of the World,” Emmylou Harris on “Sailin’ Shoes.” Bill Payne said it was about locating their influences. In some ways, it documents the way they’ve influenced the musicians who listen to them. And it certainly documents a musical career.
Their latest studio work is Rooster Rag, by critical consensus their best studio album in twenty years, featuring four songs co-written by Payne and the Grateful Dead’s legendary lyricist Robert Hunter, four breakout songs by Fred Tackett, and a superb collaboration between Paul Barrere and the late Stephen Bruton.
If you play long enough—and Little Feat has—you have to face everything. Richie Hayward, the sterling drummer who’d held down the beat for nearly forty years, was finally taken down by liver cancer in 2010. The same grim pursuer caught up with Paul Barrere in 2019. Paul will always be missed, yet paradoxically his absence also confirmed the stunning power of the music that Little Feat has made for so very long.
Paul’s health was precarious, and so the band needed a substitute for the last two shows in a three-week run in October, 2019, with Larry Campbell and Teresa Williams. They found their sub in Scott Sharrard, a frequent sit-in with Bill Payne’s other band, the Doobie Brothers. Scott is best known for his role as guitarist and musical director with the late Gregg Allman, but he’s had a long and successful career in addition to that. Born in Michigan in 1976 on the day his hero Freddie King died, he came up in the bar band culture of Milwaukee in the ‘90s, where on a given night you could hear Buddy Miles, Hubert Sumlin, Luther Allison, and Clyde Stubblefield. Soon he was catching on with dates in Chicago, where he jammed with two legendary Muddy Waters sidemen, drummer Willie “Big Eyes” Smith and pianist Pinetop Perkins.
Scott’s band The Chesterfields put out three albums and toured nationally, and then he went out on his own, releasing Dawnbreaker(2005), Analog/Monolog(2008), Ante Up (2009), and most recently, Saving Grace, recorded in Muscle Shoals at FAME studio with members of the legendary Swampers and Bernard “Pretty” Purdiee.
His time with Gregg Allman was rich, peaking when they co-wrote “My Only True Friend” for Gregg’s last solo album, Southern Blood. The song earned a Grammy nomination for Americana Song of the Year.
His relationship with Little Feat goes surprisingly far back. At the age of 12 he stayed up late to watch Feat play “Let It Roll” on “Saturday Night Live, what he called “one of my big bang moments.” He went on, “I grew up with the lifestyle of the way Little Feat music was crafted and Lowell George was a key influence of mine. I was an overweight, Midwestern middle class white kid and when I heard Lowell sing and play—he kind of proved to me what might be possible for who I was. It was that deep for me as a kid.”
So when he got a call from Bill Payne in the fall of 2019 to fill in for Paul on two gigs (Long Island and Pennsylvania), “I took it as seriously as a heart attack. See, the Doobie Brothers guys have been big supporters of mine and when Gregg Allman passed they adopted (Gregg Allman Band percussionist) Marc Quiñones and our road manager Vid Sutherland and a bunch of other people. So when Bill was looking for someone, he was on tour with the Doobies and everyone was like Scott Sharrard. And Bill had played with me—I’d sat in with the Doobies dozens of times, just playing guitar, but I never sang with them. So his concern was that, checking out my vocals.”
“I got the catalogue together, came to do the first gig. It was on Long Island, and I had never met Kenny, Sam or Fred before. I knew the horns because one of them, Jay Collins, was with Gregg Allman and the other guys I knew from when I used to work at Levon Helm’s Studio. And as I was checking out my rig and getting to meet the crew, the word came that Paul had passed away. When I met Kenny and Fred and Sam for the first time, the first thing I had to do was give my condolences. And then the announcement of his passing was the first thing that happened when I went on stage with Little Feat to hit the first note with them. The fans didn't even know he passed away.”
“Those two gigs became kind of a very spiritual moment for the band, and I just brought whatever I had to the table as a fan first and then as a musician and it worked, it just worked. I haven't had a lot of coincidences in my life and this was definitely one of the more powerful spaces I've ever been in where I feel like I was in the right place at the right time for the right reasons.”
Tony Leone was announced as the new drummer during the pandemic. Best known for his 2002 collaboration with Amy Helm, Olabelle, his work in the Chris Robinson Band, Phil Lesh and Friends, and as a member of Levon Helm’s Midnight Ramble Band, Tony actually moved through Little Feat orbits several times over the years. Paul and Fred played on Levon’s Ramble show, which led to the Midnight Ramble Band playing with Feat in Jamaica at least four times. Tony was also twice a member of Anders Osborne’s Jazzfest spinoff band Dead Feat.
Tony recalled “fanboying” out on Richie when they first met, and assuming his seat is an honor he takes seriously. “I can honestly say that almost every time I sit down behind the drums, there are a few guys that I always think of. One of them is Levon Helm. And another one is Richie Hayward. The thing that both of them had in common was their feel. It wasn't necessarily their pyrotechnical abilities to astound the audience with their virtuosity or anything like that. It was like, no, when they sat down to play a song, immediately that thing had a groove that made the music dance, and made the people want to dance…The first tune I remember hearing that I knew it was Levon was “Up on Cripple Creek” and then the first Little Feat tune that I remember hearing was “Dixie Chicken” and they’ve both got that swampy backbeat shuffle thing going on.”
“Whenever I'm going to play those tunes, I'm always going to consult what Richie played first and I'm always going to try to play those parts with integrity. And not to be a clone, but to try and give them a certain feel that he had.
You can go a number of ways when you spend your life on the road. You can get eaten up by the stresses and quit, or you can hold on to your music and your friends and the joy of the people out front and keep the priorities straight the way the Featsters have.
Fifty years on, they’ve been up and they’ve been down and they know where they belong—standing or sitting behind their instruments, playing for you. And anything’s possible, because the end is not in sight.

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Brad Williams

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WIlliams’ show offers a fresh perspective on life's quirks, cleverly navigating through his experiences as a little person, relationships, and everyday situations. His humorous and inspiring observations on disability, relationships, sex, and race consistently win over audiences; proving anyone can overcome their shortcomings. His high energy live performances frequently produce standing ovations from audience members which prompted the late Robin Williams to call him “Prozac with a head.”
Williams has parlayed his live performances into a multitude of stand-up television appearances, including The Tonight Show, Dave Attell’s Comedy Underground, and Jimmy Kimmel Live. His first one-hour special, Fun Size, was the highest rated special on Showtime, and a year later, he followed that up with his second one, Daddy Issues, which was even more successful than the
first. His third special in three years was an uproarious one, hosting some of the edgiest comedians in the country from the prestigious Montreal Just For Laughs Festival. His last groundbreaking special on Netflix, The Degenerates, garnered more huge ratings and rave reviews. Also an accomplished actor, Williams has appeared on numerous TV shows and feature films, including FX’s Legit, Sam and Cat, Mind of Mencia, Pitboss, a recurring role on the Hulu original show Deadbeat, and memorable roles in a plethora of movies, including Little Evil, produced by Scott Stuber (Ted), as well as the Netflix original Christopher Guest film, Mascots, and most recently Reno 911: It’s A Wonderful Heist.

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KILLER QUEEN: A TRIBUTE TO QUEEN FEATURING PATRICK MYERS AS FREDDIE MERCURY

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Killer Queen – A Tribute To Queen featuring Patrick Myers as Freddie Mercury returns to the Victory Theatre on Wednesday, July 10, 2024.
Lead singer Patrick Myers said “It's been an amazing journey. That first show changed my life. We thought our band would last maybe a summer at the most but it's a very addictive thing performing these songs. The concerts grew and grew and we've ended up playing and selling out the same arenas that Queen played at their peak. It's been quite a surreal ride. Becoming regular performers Red Rocks Arena in America is another highlight . The Beatles, U2, Springsteen, Dylan all played on that stage. It's really got it's own kind of magic going on there”.

Killer Queen's first public shows were at London University, following in the footsteps of the real Queen who had played their first shows there decades earlier.

Killer Queen's UK popularity grew to such an extent they soon secured a residency in London's Strand Theatre attracting nationwide BBC coverage - the first tribute to have a show in the West End .

The band's reputation continued to grow both in the UK and abroad leading to an awards ceremony in Leicester Square, hosted by Suggs from Madness who presented them with the award for “Worldwide Best Tribute Band”. They also scored a number one hit when they they were asked to recreate Queen's harmonies for “The Real Life” with Fatboy Slim.

By now they were in demand in European arenas playing Ahoy, where the now reformed Queen would be performing only a few months later. They were delighted to sell out Forest National Arena where Queen filmed the concert set piece videos such as Hammer To Fall and Don't Stop Me Now.

Killer Queen then joined forces with Bjorn Again and The Bootleg Beatles for a Waverley Stadium show in Edinburgh. It was this performance that led to the band being selected to represent Queen in a re-staged tribute LiveAid concert held by Sir Bob Geldof. They performed with him at his arena charity concert to raise funds for the homeless.

In 2016 Killer Queen set their sights on America including the awe inspiring Red Rocks Arena in Colorado – one of the countries most prestigious venues. The Beatles, Springsteen, U2 have all played there and the band are delighted it's become a regular fixture on Killer Queen's tour sheet.

By 2020 the band were pulling huge arena audiences in Cardiff Motorpoint, Liverpool and Nottingham. 2021 sees them back on the road ready to delight huge audiences the world over.

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Croce Plays Croce

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A.J. Croce performs Croce Plays Croce, a special night of music featuring a complete set of classics by his late father Jim Croce, some of his own tunes, and songs that influenced both him and his father. This special event features such timeless songs as “Operator”, “You Don’t Mess Around with Jim”, “Time in a Bottle” (a song written for A.J.)“, Rapid Roy (The Stock Car Boy)”, and “Lovers Cross”, to name a few. Classic covers may include songs by Lieber and Stoller, Bessie Smith, and other folk and roots artists.

Jim Croce was an American folk singer with a short-lived professional recording and touring career, and decades of posthumous fame as one of the greatest songwriters and artists ever. With sales surpassing 50 million records, including three #1 songs and 10 Top 10 hits, Jim Croce’s short career and long-lived legacy are well-remembered through his era-defining standards like “Operator”, “Time in a Bottle” and “Bad, Bad Leroy Brown”.

A.J. Croce’s 30-year touring and recording career has produced ten studio albums that have been released via both major and independent labels, and have charted 20 Top 20 singles and all ten albums on the radio including on Top 40, Americana, and Blues. A virtuoso piano player, he has performed at a TED Talk and gave a master class at the University of Barcelona. Croce has performed on major talk shows and news programs including The Late Show, The Tonight Show, The Today Show, CNN, MTV, and VH1. He’s toured with such esteemed artists as Willie Nelson, Lenny Kravitz, Earth, Wind, and Fire, and B.B. King. While his last album, Just Like Medicine, paired him with producer and soul legend Dan Penn and an all-star cast of players and guests like Vince Gill and Steve Cropper, his new album was born of memories — of favorite artists and shows, but mostly, of late-night gatherings with groups of friends, many of them fellow musicians, with Croce at the piano taking requests. Croce revisits these musical evenings on By Request (out on Compass Records) with 12 personally curated covers that traverse decades and genres, propelled by his spirited, piano mastery and emotive vocals. With a rich catalog of original compositions A.J. first recorded and released a composition of his fathers with a never-before-recorded song "Name of the Game" on his Just Like Medicine release. In 2018 he covered the 1973 hit “I Got A Name” for a Goodyear commercial with Dale Earnhardt Jr.

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Collective Soul

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It’s probably (well, definitely) somewhat of an understatement to say Collective Soul frontman and chief songwriter Ed Roland is unwaveringly driven in his desire to double down on doing more of what he does best — making music, sweet music, both in the studio and onstage.

“People ask me if I have a hobby, but for me, it’s just music,” Roland confirms. “I mean, I don’t know what else to do, because that’s what I love to do. I live in the studio — but then the time comes when I go, ‘Well, now I wanna go play live.’ I just love the creation of music, and the process of finding out what’s gonna happen with it next. That kinda defines it all for me.”

In following his ever-tenacious muse, Roland is always looking to connect with his current Collective Soul bandmates any which way he can. Actually, the word current is a bit of a misnomer, since Roland truly believes the Collective Soul of the here and now is as permanently intertwined as any group of musicians he’s ever worked with over the course of his illustrious career. “It’s worth noting See What You Started by Continuing was really the demo for this band as it stands right now,” Roland points out, referring to the 2015 album that realigned the rock quintet’s creative compass. “I mean, this is the band for the rest of my life. This is it, man.”

Indeed, if a) 2015’s aforementioned See What You Started by Continuing was the reset blueprint for how a revamped and revitalized five-man lineup fully gels as a unit, and b) 2019’s Blood was the ensuing coagulant further infused by an in-tune rock ensemble clearly firing on all corpuscles, then c) Collective Soul’s upcoming, long-awaited 2022 album release Vibrating simply sends the band’s artistic spirit into the next stratosphere.

“Our fans have already picked up on that,” agrees Roland, “because they’ve been waiting for Vibrating for almost three years now — and I can’t wait for them to hear it. They’re excited because both See What You Started and Blood set such a high standard for where we’re going as a band — and it’s only going to continue getting better with Vibrating. I really do believe that.”

You can believe it too, for the proof lies within the new album’s deeply delineated grooves. Fact is, Vibrating positively pulsates with the boundless energy that has been Collective Soul’s aural calling card for going on three full decades. From the propulsively gnarly kiss-off of “Cut the Cord” to the reflective midtempo jangle of “Take” to the heart-wrenching reality check of “Rule #1” — replete with a soaring string section, no less! — to the choir-backed emotional crossroads of “Where Do I Go,” Vibrating contains 42 minutes of irrefutable sonic evidence of a band wholly uninterested in sitting still. “I think we’re on a roll,” observes Roland. “We’re not afraid to stretch the boundaries — but we do know how to stay in our lane when we need to. Sometimes, though, we just have to go faster.”

The next logical acceleratory step, of course, resides in taking Vibrating out on the road where the band belongs, and test-driving how this electrifying new material meshes with indelible Collective Soul setlist classics like “Shine,” “December,” “The World I Know,” “Gel,” “AYTA,” “Why, Pt. 2,” “Precious Declaration,” and “Heavy” — in addition to more recent, Blood-spawned tracks like “Right as Rain,” “Observation of Thoughts,” and “Over Me.”

“We’re ready to go,” declares Roland. “Most of us grew up together and knew each other as kids, so that helps with the live chemistry. I’ve always said this about this band — we know when to knock each other out, and we know when to hug each other. We won’t put up with any crap, but if you’re feeling down and need help, we’ll pick you up. We’re coming up on 30 years as a band, so we have to be friends first and foremost to keep it all going. If we aren’t friends like that, then we’re not going to have longevity in our career in order to continue doing what we love to do. That’s just the bottom line.”

Seeing eye to eye, and ear to ear, is part of the secret sauce of why Collective Soul continues to both record and play together at an uncompromised level of high quality. “That’s the end goal for everybody in this band,” agrees Roland. “Just because I write the songs doesn’t mean I’m the only one who wants it all to come out right. We all want it to be right — and that’s because this is a band that acts like a band.”

Working in tandem, sharing unbridled opinions, and listening to what everyone else has to say without recrimination are all key proponents in fostering Collective Soul’s perpetual harmony. “That’s the forte of this band,” Roland acknowledges. “We discuss things together, we figure them out together, and we make sure to get everything right. That’s how we love to do it. And I say this out of confidence, and not out of ego — we’re really, really good at it, too.”

You’ll get no arguments here. As 2022 unfurls, it’s clear heaven continues to shine its light down on Collective Soul, a formidable five-man band humming along in unison with many more good vibrations of their own to share with the masses far and wide. There’s a reason Collective Soul are made for me and you — so be sure to see and hear them for yourself first-hand, the next time they make their presence known in your neck of the woods.

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Jim Breuer

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Not long after Jim Breuer did his first official standup gig in Clearwater, Florida, in 1989, industry folks began asking him, “What’s your point of view?” “I don’t know…” He searched for a meaningful response to a ridiculous question. “To make people laugh?”
The freewheeling, New York bred comic storyteller – who made the list of Comedy Central’s “100 Greatest Standups of All Time” – is hotter than ever, a global touring sensation and regular presence on radio and television whose rabid audience, he’s thrilled to note, is filled with “lifetimers.” Once folks see him live, they’re hooked. Breuer estimates that 78% of his fans have seen him “five, six, seven” times. It’s becoming a family thing, with parents even bringing young teens to see the family man and father of three daughters, all providing genius “dad” material for his sets. Having evolved both personally and professionally since the beginning, Breuer’s pleased to say he’s been F-word free for ten years and counting.
Breuer came to national attention during his seasons on Saturday Night Live (1995-98), a rebuilding era whose cast featured Will Ferrell, David Spade and Norm McDonald. But don’t call him “Goat Boy” (one of his characters on SNL) or ask him to do his Joe Pesci impression. Those things are eons ago. Some even still associate him with “Half Baked,” a stoner comedy flick from around that time that starred Dave Chappelle and featured cameos by Willie Nelson, Snoop Dogg and Tommy Chong.
The fans who got into Breuer in the new millennium were drawn into his whirlwind journey through his Comedy Central specials such as “Hardcore” (2002) and “Let’s Clear The Air” (2009), one of the highest rated comedy specials in the network’s history – popularly known as his “coming out party” as a dad, cleaning up his act and focusing on the fun and foibles of family life. His next special “And Laughter For All” (2013), became the highest rated original comedy special on EPIX to date, earning it’s spot as a family favorite for it’s relatable and multi-generational humor. His latest special “Comic Frenzy” (2015) is currently available on Amazon Prime.
Many of Breuer’s newer fans know him from the multitude of hilarious hours he’s spent as a guest on Sirius XM’s “The Howard Stern Show.” Howard’s hosted some of pop culture’s biggest comedy icons over the past 30 years, yet Breuer gets people telling him he’s their favorite guest ever. “Howard’s audiences know comedy,” he says. “If they come and I’m not funny, they’re not coming back.” That’s never happened and never going to. Breuer was also the host of “Fridays with Jim Breuer” Sirius XM, originally known as “Breuer Unleashed.” He currently hosts a podcast called “The Jim Breuer Podcast,” which is available on iTunes and JimBreuer.com.
Over the years, Breuer has been something of a multi-media sensation currently appearing alongside Kevin James on “Kevin Can Wait” on CBS as well as popular films “Zookeeper,” “Dick,” “Titan A.E.” and “Beer League”; hosting MTV’s popular “Beach House” and VH1’s “Web Junk 20”; and being featured on “Comedy Jam,” “This Is Not Happening,” “Late Night with Conan O’Brien,” “The Daily Show with Jon Stewart,” “The Late Late Show with Craig Ferguson,” “Jimmy Kimmel Live,” “Late Night with Jimmy Fallon,” and “The Marriage Ref.”
Since 2015, he’s shared his dual passions for comedy and baseball (particularly his New York Mets) with thousands via his video recaps of games that he posts on Facebook. Their viral impact has been massive, with clips airing on the MLB Network and ESPN Sportscenter among others, and even inspiring Mets fans in other cities to hang with Breuer to root their team on. A die-hard metalhead, Breuer made his musical debut, Songs From The Garage in 2016. Produced by Rob Caggiano (Anthrax, Volbeat) the album features tracks such as “Raising Teenage Girls,” the throwback anthem “Old School” and “Mr. Rock n’ Roll” with the one and only Brian Johnson of AC/DC.
All Breuer aficionados know that family is everything to him, and his mission is to share the highs and lows, find the humor in the day to day, laughing with the triumphs and tragedies and using comedy as a tool to conquer fear – as he did when posting videos of his wife going through cancer treatments the past few years. In 2008, Breuer set out for his “Breuniversity Tour” with his 85-year-old father and a film crew. The footage that was captured blended together to create “The Jim Breuer Road Journals,” which showcased what life is like on the road with a comedian and his father. Videos from that tour also sparked the making of his documentary “More Than Me,” which was shown at the 2009 Montreal Film Festival. In line with his love of family. “Comic Frenzy” focused on what Breuer’s life (and all our lives) truly consist of: dealing with the elderly, becoming our parents’ caretakers and what it takes to be a “marriage warrior.”
“I’m a deep-rooted family guy with hardcore blue collar roots,” he says. “My father was a World War II vet and my mom lost her first husband to WWII. As a child growing up in Valley Stream, New York, I lived in low income housing, then an attic apartment, to eventually moving down the street into a home of our own, always surrounded by faith and love. My career reached a new level when I started to raise a family of my own and realized I should stick to what I know, what everyone could relate to no matter their socio-economic status. My oldest daughter just went to college and we’ve dealt these past few years with mortality issues, and I’m just there to find the funny in that. It all started with ‘Let’s Clear the Air,’ which focused on me being a new father who came from another world and who wasn’t prepared for the responsibilities at all.
The crazy state of the world today makes Breuer’s upcoming 2018 tour Jim Breuer Live all the more essential, as we seek perspective and comic relief from the day to day insanity that drives our 24.7 news cycle and social media. Breuer’s set will be decidedly non-political, but he will have much to impart about the foolishness of ruining our lives over media-generated frenzies that we have no control over. “My huge focus is, listen, stop getting caught up in the hoopla the news, politics and all that jazz,” he says. “If every day you wake up and you’re watching five to six hours of it, it starts to darken your soul. If you spent even ten percent of that time on your wife, husband, child or someone else you love, your personal life would get better and you could help so many people. I’m here to say that life isn’t that horrendous. Can you still eat? Can you still watch your 60” plasma TV? Call me when you have to eat a squirrel for breakfast, okay? Do something you can control that’s good, because you can’t fight hate with more hate. Let’s concentrate on the most important things in life.”
“My job as a comic is to talk about the many great loves of my life, recognizing that yes, we are all on borrowed time but we can still enjoy life with a passion and not get caught up in all the madness,” Breuer adds. “There are always things that can become an obstacle to our happiness, and the big three for me that I smack into most are divisions in the family, financial struggles and health issues. For me, there’s no better feeling in the world than making someone laugh and knowing that I’ve inspired or healed someone. It’s nice when people tell me I’m funny, but the ones that keep me going are the ones who come up to me and say, ‘Can I just tell you, I just lost my mom, and you healed me. That’s the first time I’ve laughed in ages.’ Or ‘My wife and I were fighting, we just experienced death. We knew seeing you was going to help. Thank you. We needed this so much.’ We’re not here for very long, and we’re all stuck here together. Everybody needs to laugh and be uplifted. We’re here to take care of others. I’m on a mission to lift you in the only way I know how.”

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Brian Regan

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Critics, fans and fellow comedians agree: Brian Regan is one of the most respected comedians in the country with Vanity Fair calling Brian, “The funniest stand-up alive,” and Entertainment Weekly calling him, “Your favorite comedian’s favorite comedian.” Having built his 30-plus year career on the strength of his material alone, Brian’s non-stop theater tour continuously fills the most beautiful venues across North America, visiting close to 100 cities each year. Brian returns for his third season in Peter Farrelly’s TV series, Loudermilk, which premiered on April 27, 2021, streaming on Amazon Prime. Farrelly personally cast Brian in the series alongside Ron Livingston, Anja Savcic, Will Sasso and Mat Fraser. Brian is receiving praise for his portrayal of “Mugsy,” a recovering addict who is estranged from his family. The first two seasons of Loudermilk originally aired on AT&T’s Audience Network and moved to Amazon Prime on March 12, 2021. On February 23, 2021, Brian premiered his second Netflix stand-up special, Brian Regan: On The Rocks, which was shot at Tuachan Center for the Arts, an outdoor amphitheater in Utah. Brian’s first Netflix special, Brian Regan: Nunchucks And Flamethrowers, premiered to rave reviews on November 21, 2017, and is also available as a vinyl album.
Brian stars in his own Netflix series, Stand Up And Away! With Brian Regan, which premiered on Christmas Eve 2018. Brian and Jerry Seinfeld Executive Produce the four-episode original half-hour series that combines sketch comedy and stand-up. In 2015, Brian made history with his stand-up special, Brian Regan: Live From Radio City Music Hall, as the first live broadcast of a stand-up special in Comedy Central’s history.A regular on The Tonight Show Starring Jimmy Fallon, Brian is the rare guest who the show invites on for two segments: a performance segment and a segment on the couch to chat with Jimmy. Previously, Brian was a regular guest on The Late Show with David Letterman, making 28 appearances on the CBS show. Brian made a scene-stealing cameo in Chris Rock’s film, Top Five, and he is a guest on two episodes of Seinfeld’s Comedians in Cars Getting Coffee, which is now streaming on Netflix

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Whose Live Anyway?

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Prepare to laugh until you cry when four of the world’s most masterful improv artists take you on the high wire act of comedic acrobatics. The rapid-fire wit and non-stop jokes will have your sides splitting and begging for mercy…and also begging for more. Welcome Ryan Stiles and Greg Proops, both seen on ABC’s “Whose Line Is It Anyway?” as well as Jeff B. Davis and Joel Murray. If you are a “Whose Line?” fan, get ready for the same relentless laughter that you grew to love, but without the commercial breaks! If you are new to improv comedy, then you are in for a show unlike anything you have ever seen before.

This particular style of improvisational comedy is rife with countless gags, one-liners, hilarious games and even songs so good you will hardly believe they were made up on the spot. The teamwork and trust that it takes to perform a show with no script is apparent, but when the best of the best do it, they do it effortlessly. Watch them build entire scenes, characters, and storylines right before your eyes as they take you on a white-knuckle ride through endless chuckles.

Ryan Stiles’ television credits include roles on “The Drew Carey Show” and “Two and a Half Men,” while Greg Proops has lent his vocal talents to animated characters in Star Wars: Episode 1, The Nightmare Before Christmas, and Brother Bear. However, both got their start as comedians and are excited to return to their funny-bone-tickling roots.

Jeff B. Davis is also a highly experienced improv comedian and starred in the cult classic cartoon series, “Harmonquest.” He has also starred in “Drew Carey’s Green Screen Show” and “Improv-a-Ganza,” while gaining fame for his spot-on impressions of Christopher Walken, Keanu Reeves, and Jeff Goldblum. Joel Murray is the youngest of the nine Murray brothers, including Bill Murray, but has become a star in his own right. Though he has over 250 sitcom appearances, he is best known for his recurring roles like Freddy Rumsen on “Mad Men” and Eddie Jackson on “Shameless.” He has also appeared in One Crazy Summer, The Artist, Scrooged, and Bobcat Goldthwait’s God Bless America..

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Water for People Presents The Spinners

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Rumours ATL: A Fleetwood Mac Tribute

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Rumours: A Fleetwood Mac Tribute returns to the Victory Theatre on Sept 27th. Formed in 2014, Rumours (also known as Rumours ATL) has taken the U.S. by storm with their stage scorching renditions of Fleetwood Mac songs. Fans from across the nation claim that Rumours is the band to see if you are looking for an authentic recreation of live Fleetwood Mac shows.
In just under 7 years, Rumours has landed themselves the reputation of being the best Fleetwood Mac Tribute band and additionally has made fans internationally. In the summer of 2019, Rumours was invited to play a week in The Netherlands at some of the top venues and festivals in the country. The success of that tour brought them attention from plenty of new fans and promoters and they will be returning in 2020. Specially crafted shows and not one detail left behind, Rumours continues to sell out some of the top venues in the United States and gain fans at each show.

Rumours is fronted by Mekenzie Zimmerman (Stevie Nicks vocals), Adrienne Cottrell (keyboards and Christine McVie vocals), and Denny Hanson (guitar and Lindsey Buckingham vocals). John Spiegel on lead guitar, Jim Ramsdell on bass, and Daniel Morrison on drums makeup one of the best live band performances you will see at any show. The band prides themselves on being the most authentic Fleetwood Mac Tribute without coming across as a parody or a bore of a show. They will make you dance, sing along at the top of your lungs, and you’ll even learn something new about Fleetwood Mac at each performance.

Rumours will leave you wanting more. Rumours will make you relive those Fleetwood Mac memories.

Do you believe in miracles and the ways of magic? Rumours does.

“Rumours is a pleasure to work with and extremely dedicated to bringing a Fleetwood Mac experience to our audiences at every show. Which they sell out each time.” Peter Moshay, Grammy Winner and sound engineer for Daryl Hall and John Oates, Live from Daryl’s House

“We love having Rumours play our venue. They’re always so fun and get along with the staff great! They also sell a lot of tickets and their shows are awesome.” Jason Westbrook, Production Manager Iron City, Birmingham Alabama

“We love having Rumours and I love lighting their shows. They always make it magical.” Farrell Roberts, Variety Playhouse Atlanta GA

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David Brighton’s Space Oddity: The Ultimate David Bowie Tribute

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Evansville, IN– SPACE ODDITY, The Quintessential David Bowie Tribute Experience is a live, theatrically staged, elaborately-costumed multi-media spectacle that transports audiences on a musical journey through the constantly metamorphosing career of David Bowie which was notable for constant reinvention and visual presentation in both his music and on stage.

Over the last 20 years, SPACE ODDITY, starring David Brighton, has performed throughout the USA, Canada, Mexico, Australia, Finland, Germany, Estonia, Belgium, France, The Netherlands, Spain, Luxembourg, Switzerland, Portugal, Israel, New Zealand and China and is widely considered to be the world's premier tribute to David Bowie.

DAVID BRIGHTON
David Brighton is credited as being the world's best David Bowie impersonator, with one of the most entertaining acts ever to hit the stage.
Brighton's credits include performing side by side with David Bowie himself in the TV commercials for Vittel Mineral Water and for Reality - Bowie's CD. Brighton has performed as a resident cast member of the world famous Legends In Concert - the Las Vegas production show. He was also cast to portray David Bowie in the Warner Brothers feature film, The Watchmen. He also appeared as David Bowie on VH-1 television as well as in international pop star Shakira's concert video.
Brighton has performed worldwide on bills with some of the biggest acts the world has known, including: Morrissey, Elton John, Devo, Smash Mouth, Stevie Wonder, Kenny Loggins, Three Dog Night, Chicago, Little Richard and Barry Manilow. Brighton has performed at events for Arnold Schwarzenegger and Maria Shriver… Brooke Shields, Dustin Hoffman, Sylvester Stallone, Jay Leno, David Foster, Catherine Zeta Jones and Michael Douglas, Barbara Streisand, Quincy Jones, Nicholas Cage... to name a few.
David and the Space Oddity band have been performing throughout the United States, Canada, Mexico, Australia, and Europe – having just returned from touring Finland, Germany, Estonia, Belgium, France, The Netherlands, Spain, Luxembourg, Switzerland, Portugal, Israel, New Zealand and China…

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Marshall Charloff Purple Xperience

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Marshall Charloff & Purple xPeRIeNCE is the most celebrated tribute to Prince in the world. The group was co-founded by Marshall and Matt “Doctor” Fink (keyboardist from Prince & The Revolution) in 2011, an era where Prince closely monitored the use of his art. Their vision was to deliver Prince’s music on the highest level, played live and untracked by skilled musicians, while paying respectful visual homage through costuming and likeness. Immediately met with success and adoration from discerning Prince devotees, the band has now been touring for over a decade, nationwide and internationally, and has performed for over 500,000 fans. In 2019, they were officially licensed by the Prince Estate, and in 2021, Marshall Charloff & The Purple xPeRIeNCE were selected by the US Department of State to be featured in the USA Pavilion of the World Expo in Dubai. Minneapolis-native Marshall was raised in the epicenter of 1980’s music production, and cut his musical teeth working with Superproducers John Fields and Steven “Funkytown” Greenberg. At age 19, Marshall, like Prince, was discovered and signed by producer Pepe Willie. Marshall is featured on 94 East albums with Prince, where he plays guitar and Prince is on vocals. A multi-instrumentalist, composer, and producer in his own right, Marshall has written for, produced, and recorded for the multi-Platinum and Grammy award-winning Commodores and for Rock & Roll Hall of Fame’s Little Anthony & The Imperials. Marshall’s second original album, “Unperfect” achieved the distinction of “Top 100 Albums of 2020” on global smooth jazz charts. Marshall has also played keys for the Atlanta Rhythm Section, and has played bass guitar with Bobby “Z”, Matt “Dr. Fink”, and Andre Cymone (all Prince alumni players). In addition to his work with The Purple xPeRIeNCE, Marshall has had the honor of fronting 25 of the finest symphonies in North America, performing the music of Prince to great acclaim. He has been the feature of two full-length PBS Broadcasts; fronting the Detroit Symphony Orchestra, and fronting The Purple xPeRIeNCE in the iconic Red Rocks Amphitheater in Morrison, Colorado. Marshall completed a Las Vegas residency, where he headlined starring in “Purple Piano: The World’s Only One-Man Tribute to Prince”--a highly-engaging show in the style of Prince’s final tour, “Piano and a Microphone”. This production continues to tour nationwide, interspersed with full band performances. In all of his avenues of honoring Prince, Marshall’s vocals are uncannily accurate, his guitar and piano skills are masterful, and his endearing stage presence is irresistible in its paradox of finesse and reverence. Marshall Charloff's all-star band, Purple Xperience, hosts a number of world-class players, including Tracey Blake on lead guitar (played with New Power generation, Sons of Almighty featuring members of NPG, Tracey Blake Project, Westside: inducted in the Midwest hall of fame), Ron Long on bass guitar (played with Christina Aguilera, The Backstreet Boys, 98°, also recorded with John L., Larry Blackman of Cameo, and Spike Lee), Ron Caron on drums (played with the Rembrandts, Tina and the B sides, The Melismatics). Cory Eischen on keys (played with New Power Generation, Prince's protégé group: Mazarati, Soul Asylum's Dave Pirner and Dan Wilson from Semisonic)

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David Sedaris

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David Sedaris is one of America’s pre-eminent humor writers. He is a master of satire and one of today’s most observant writers. Beloved for his personal essays and short stories, David Sedaris is the author of the New York Times bestsellers Barrel Fever, Holidays on Ice, Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, When You Are Engulfed in Flames, Let’s Explore Diabetes with Owls, and Calypso. His book The Best of Me, collects 42 previously published stories and essays. Sedaris also wrote Squirrel Seeks Chipmunk: A Modest Bestiary, a collection of fables with illustrations by Ian Falconer. He is the editor of Children Playing Before a Statue of Hercules: An Anthology of Outstanding Stories. His pieces regularly appear in The New Yorker and have twice been included in “The Best American Essays.” The two volumes of his diaries, Theft By Finding: Diaries (1977-2002) and A Carnival of Snackery, Diaries (2003-2020) were New York Times bestsellers. An art book of Sedaris’s diary covers, David Sedaris Diaries: A Visual Compendium, was edited by Jeffrey Jenkins. His most recent book, Happy-Go-Lucky, debuted at number one on the New York Times bestseller list. The audio version of Happy-Go-Lucky, written and narrated by Sedaris, won the 2023 Audie Award. His next book will be a short graphic novel for children with illustrations by Ian Falconer titled Pretty Ugly (TOON Books, February 27, 2024). David Sedaris Bestselling Author & Humorist Photo: Anne Fishbein “Sedaris ain’t the preeminent humorist of his generation by accident.” — Entertainment Weekly “Sedaris has hit upon the narrative equivalent of Pepsi, or the PlayStation, or oxygen, or the haircut: something that others in the world might actually want and find useful. . . He’s smart, he’s caustic, he’s mordant, and, somehow, he’s . . . well, nice.” — Bill Richardson, Toronto Globe and Mail Sedaris and his sister, Amy Sedaris, have collaborated under the name “The Talent Family” and have written half-a-dozen plays which have been produced at La Mama, Lincoln Center, and The Drama Department in New York City. These plays include Stump the Host, Stitches, One Woman Shoe, which received an Obie Award, Incident at Cobbler’s Knob, and The Book of Liz, which was published in book form by Dramatists Play Service. Sedaris has been nominated for five Grammy Awards for Best Spoken Word and Best Comedy Album. His audio recordings include “David Sedaris: Live for Your Listening Pleasure” and “David Sedaris Live at Carnegie Hall.” A feature film adaptation of his story C.O.G. was released after a premiere at the Sundance Film Festival (2013). Since 2011, he can be heard annually on a series of live recordings on BBC Radio 4 entitled “Meet David Sedaris.” In 2019 David Sedaris became a regular contributor to CBS Sunday Morning, and his Masterclass, David Sedaris Teaches Storytelling and Humor, was released. There are over 16 million copies of his books in print and they have been translated into 32 languages. He has been awarded the Terry Southern Prize for Humor, Thurber Prize for American Humor, Jonathan Swift International Literature Prize for Satire and Humor, Time 2001 Humorist of the Year Award, as well as the Medal for Spoken Language from the American Academy of Arts and Letters. In March 2019 he was elected as a member into the American Academy of Arts and Letters. In 2020 the New York Public Library voted Me Talk Pretty One Day one of the 125 most important books of the last 125 years.

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Ginuwine

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Ginuwine is an American R&B singer. He began his career as a member of the musical collective Swing Mob in the early 1990s. As a solo act, he signed with Epic Records to release his 1996 debut single,” Pony". The song peaked at number six on the Billboard Hot 100 and preceded the release of his debut studio album Ginuwine...The Bachelor (1996), which saw moderate but steady commercial success and received double platinum certification by the Recording Industry Association of America (RIAA).[5] His second and third albums, 100% Ginuwine (1999) and The Life (2003) both peaked within the top five on the Billboard 200 while the latter spawned the single "Differences", which peaked at number four on the Billboard Hot 100 and remains his highest charting song.[5]
His fourth album, The Senior (2003) spawned the top ten single "In Those Jeans", as well as the top 40 singles "Hell Yeah" (featuring Birdman) and "Stingy". His fifth, Back II da Basics (2005) peaked within the top ten of the Billboard 200 and served as his final release with Epic; he signed with Warner Records to release his sixth album A Man's Thoughts (2009), which performed similarly despite mixed critical reception. Serving as his final release on a major label, his albums Elgin (2011) and A Ginuwine Christmas (2011) followed thereafter.

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